We create a solo piano arrangement using just triads and 7th chords. This is a beautiful tune to share with your friends and family.
We use this final practice slot to drill around all 12 minor 251 voicings with the b9#11 and the #5#9 upper structure triads.
In this lesson we explore the b9/#11 and #5#9 upper structures. We apply to major 251s and in context of 2 well-known jazz standards.
We incorporate all of the theory and material covered in the prior lessons in this course and then analyse each aspect of the performance.
This lesson follows on from Jovino’s previous lesson on Jobim’s Falando de Amor and looks at accompaniment and improvisation.
In this lesson we drill UST 2 and UST 6 around all 12 keys. Both USTs contain a natural 13 which makes them related & interchangeable.
One of the intricacies of minor harmony is the variety of colours and tensions we can add to the chords in the minor 251 progression.
Spend some time to work these chords and progressions, and once you feel comfortable you can move onto the main 32 bar form of the tune.
In this 5 minute masterclass we will explore the key principles for creating elegant, efficient, & ergonomic chord voicings.
In this masterclass we will explore how you can jump quickly into any Christmas Tune from the Christmas RealBook.
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