In this course overview, we identify the 7th chords and then move into chord extensions, chord alterations, and stride left hand techniques.
The altered contains every possible altered chord tone and is a great scale choice to improvise over altered dominant chords.
In this lesson we apply the I-VI-II-V progression to the turnaround section using a selection of meaty New Orleans style chord voicings.
In this lesson we explore further chord substitutions and reharmonisation for the second half of the 8 bar blues form.
An important point with sus chords is that we often resolve the suspended 4th to turn the chord into a regular dominant 7th voicing.
Upper structure triads are complex sounding altered dominant chords. They will add texture and sophistication to your playing.
Discover the B section of “Body and Soul” with extended and altered voicings. Create richer progressions and creative chord choices.
We will combine arpeggios runs and arpeggio patterns with chord tones and approach patterns that we have explored in the previous lessons.
In this lesson we explore voicing options for the diatonic chords of C Major. We cover all chord types: major, minor, dominant and -7b5.
In this lesson Hayden explored the altered tensions over dominant chords and how to resolve these tensions into the Imaj7 Chord.
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