
Hayden Hill
Hayden founded PianoGroove in 2015 with the goal of making the world a more musical place. He shares his love for jazz piano through his online courses and manages the community area of PianoGroove.
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Seminar Description
Seminar Description
How and What to Practice in Jazz Piano
Welcome to this lesson on structuring your jazz piano practice routine. One of the biggest challenges students face is knowing what to focus on and how to practice effectively. Jazz is a vast subject, and without a structured approach, it’s easy to feel overwhelmed.
In this lesson, we will break down three essential practice areas: theory drills, jazz repertoire, and listening/transcription. By the end, you’ll have a clear roadmap to improve your jazz piano playing efficiently.
The Three Key Practice Areas
1. Theory Drills & Exercises
Theory drills provide the foundation for understanding jazz harmony and improvisation. A structured approach ensures you build a solid base while progressively adding complexity.
Foundational Drills:
- Diatonic 7th Chords in All Keys – Learn and visualize the diatonic 7th chords within each key to strengthen your harmonic understanding.
- 2-5-1 Progression in Whole Steps – Moving through all 12 keys using 2-5-1 progressions reinforces voice leading and chord transitions.
- Adding Extensions (9ths & 13ths) – Once comfortable with 7th chords, add 9ths and 13ths to enrich your voicings.
- Rootless Voicings – Practicing rootless 2-5-1s in both Type A and Type B positions is essential for comping and arranging.
- Stride Left Hand with Rootless Voicings – Combining stride technique with rootless voicings helps in solo jazz piano arrangements.
2. Jazz Standards & Repertoire
Learning jazz standards allows you to apply theory in a musical context. The key is to approach standards systematically.
How to Approach a Jazz Standard:
- Analyze the Chord Progressions – Identify common progressions like 2-5-1s and 3-6-2-5-1s.
- Start with Simple Voicings – Use three-note voicings (root, 3rd, 7th) before adding extensions.
- Experiment with Different Styles – Try playing with stride, walking bass, and ballad-style voicings.
- Reharmonization & Arranging – Over time, develop your ability to reharmonize and modify chord voicings creatively.
- Expand Your Repertoire – Aim for a balance between learning new tunes and deepening your understanding of existing ones.
Two detailed courses on Georgia on My Mind (Bluesy Stride) and Misty (Cocktail Improv) provide a structured approach to learning standards while incorporating essential theory concepts.
3. Listening & Transcription
Listening and transcription are vital for developing jazz vocabulary and improving ear training.
Effective Listening & Transcription Strategies:
- Listen Actively – Focus on how jazz pianists voice chords, phrase melodies, and structure their solos.
- Transcribe in Small Sections – Start with a single phrase, analyze it, and play it in different keys.
- Analyze Chord Voicings & Rhythmic Feel – Study how pianists construct voicings and interact rhythmically with a band.
- Incorporate Transcriptions into Your Playing – Apply the lines and voicings you transcribe to your own improvisations.
- Use a Slow-Down Tool – Software like Transcribe! or Anytune can help slow down fast passages for more accurate transcription.
5 Practice Tips for an Efficient Routine
- Set Clear Goals – Identify what you need to work on and stick to a structured plan rather than aimlessly jumping between topics.
- Use Short, Focused Practice Sessions – Divide your practice time into segments: 15 minutes of theory, 15 minutes of repertoire, 15 minutes of transcription, etc.
- Revisit Exercises Daily – Regular repetition of theory drills ensures long-term retention.
- Balance Learning New & Reviewing Old Tunes – Work on new pieces while maintaining a core set of standards in your repertoire.
- Play with a Metronome – Precision in timing is key for stride, comping, and improvisation—start slow and gradually increase speed.
By consistently applying these strategies, you’ll make significant progress in jazz piano while staying organized and motivated. Keep practicing, and enjoy the journey!
Where would I find the PDF for this Seminar?
Thanks
FL
Hi Frank,
Here is the PDF file: pianogroove.com/wp-content/uploads/2022/12/How-What-To-Practice-Seminar-1.pdf
I have just added this to the Resources section in the bottom right hand side of this page.
I’m adding the seminar chapters now.
Cheers,
Hayden
Hi Hayden, You mentioned in the next seminar regarding listening and transcription some software available for, I take it, to slow the recording down. It is so time consuming to attempt to do it at full speed and having to repeat just a bar or two over and over. Looking forward to you covering this aspect. I would really like to apply this to Beegie tunes especially. Yea for another Beegie tune in January. One that she uses mostly stride is “It had to be you” the #1 track on Best of Beegie Adair: Solo Piano Performances(full album) Youtube. That would be my request. See what you think. Thanks.
Hi Perry,
Yes in the first week of January I will cover a session on using transcription software. To reply to your below comment too, my preference is Transcribe! App which works great on a laptop or computer, if you use a mobile or tablet there are other options which are more user friendly. Check out this forum post which links to some transcription resources: community.pianogroove.com/t/the-importance-of-listening-transcribing/2737
Thanks for the suggestion with Beegie’s “It Had To Be You” – I agree it’s a lovely recording and it would make a very nice study of Stride Style. I’m working on a new improvisation course on “In A Sentimental Mood” which should be finished by mid January time and afterwards we will host the next Beegie Adair themed seminar.
Cheers,
Hayden
Just did some research and found the 4 best apps to slow down music 2023. #1 Audacity. #2 Anytune. #3 Transcribe. #4 TimeStretch Player. See what you think.
Hello, I’m still at the stage of memorizing scales, triads and sevenths, so sorry for a really basic question.
I’m not sure what the pattern of chords is that opens this lesson.
You specify Cmaj > Cmin > Bbmin and after that I can see what you’re playing but don’t actually understand what the pattern is. It seems to go left around the circle of fifths but I don’t know the chords well enough yet to really see what you’re doing.
Sorry, I’m just here to represent all the slow learners :)
Hi Sarah,
My apologies for the late reply here – I thought I had replied to this.
Yes we cover this sequence in detail in the following course:
pianogroove.com/jazz-piano-lessons/whole-step-251-exercises/
If you check out those lessons that will help you to understand the whole step 251 sequence and how to use it to practice 251 progression variations.
Let me know if I can help further and enjoy the lessons!
Cheers,
Hayden
This is super helpful. –Zeki