Locked Hands Improvisation
In this lesson we explore a number of important improvisation concepts.
Using the tune ‘Alone Together’ we start by using the blues scale to create improvised runs and fills. The tune is written in the key of D Minor and so the D Blues is an obvious choice of scale. However, we can also use the ‘neighbour’ blues scale of G Minor and A Minor.
In the bridge of the tune we discuss modal theory and how we can harmonise these modal scale using thirds. We also touch upon the Half Whole Diminished Scale and how this can be used to improvise over minor 251 progressions.
The final section of the tutorial introduces the ‘locked hands’ comping technique. This style involves playing left hand voicings simultaneously with an improvised line in the right hand. It is a useful comping device to add energy and drive to a performance.
Related Lessons
In this lesson we will explore how you can develop your ability to add fills and other melodic decoration to the tunes you are playing.
251 progressions are essential components of the jazz language and so taking the time to memorise them will greatly benefit your playing.
Transcription is one of the most time effective ways to learn jazz and you should incorporate transcription into your daily practice routine.
Practice Tips
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Lisen to the jazz masters play locked hands style.
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Bill Evans was exceptionally talented at the locked hands technique.
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Also check out Wynton Kelly and Red Garland.
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Play along with the records to truly abosorb the feel and syncopation.
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Use transcription software such as Transcribe to slow down the performance.
