Footprints: Modal Comping & Improvisation
In this tutorial we explore modal comping possibilities and modal improvisation techniques over the iconic jazz standard ‘Footprints’.
We start by harmonising the head melody with perfect 4ths and common 4th based voicings such as the So What Voicing. As we move into the comping solos we continue with a 4th-based voicing theme and also incorporate Drop 2 and Barry Harris voicing configurations.
Modal Techniques & Principles
We apply a wide range of modal comping techniques and principles such as moving voicings outside of the harmony and constructing 4th based voicings that follow the notes of the dorian mode.
We continue with a modal themed improvisation including modal triad pairs, playing outside of the harmony, and introducing rhythmic interest to spice up our improvised melody lines.
Lesson Downloads
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Footprints Supporting Material File Type: pdf
Related Lessons
In this course we’re going talk about playing outside the changes and I will show few perspectives how you can start to approach the subject.
In this 5 minute masterclass we will look at how a pair of triads can define any mode and become a strong sound for improvising and comping.
In this lesson we will combine quartals and upper structures to create some quartal upper structure voicings that are well suited to a comping setting.
Practice Tips
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A strong understanding a 4th based voicings will help you greatly when interpreting this tune.
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The upper structure triad voicings add dissonance and tension to the accompaniment and pair beautifully with the open and harmonically ambiguous quartal voicings.
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Utilise triad pairs and playing outside of the chord changes to achieve an authentic modal sound in your improvised solos.
