Leading Tones & Walkups
In this lesson we smoothen out the transitions between the I, IV, and V chords by applying chromatic passing chords, walk-ups, and by utilising leading tones such as the #5 alteration.
Leading Tones In Blues
We start by exploring the concept of leading tones, in particular using the #5 alteration which creates strong voice leading into the third of the subsequent chord.
We apply the #5 leading tone to the transition between the I and the IV chords, and we also apply this alteration to the V7 passing chord in the 3rd bar which creates a strong pull back to the I7 chord in bar 4.
12 Bar Blues Passing Chords
We can approach any chord in the blues by a dominant chord a half step up and this technique is particularly effect to smoothen out the transitions between the I, IV and V chords.
We apply a B7 passing chord to chromatically approach the Bb7 chord and in the upcoming lessons we add chord alterations to the passing chords which creates more tension and a stronger sense of resolution.
12 Bar Blues Walk Ups
We explore a walk-up sequence from the I chord to the IV chord. Walk ups are usually a mixture of step-wise and chromatic movement in the bass line which is enhanced with voicings in our right hand.
When moving from the I chord to the IV chord, we play F7, G-7, Abdim7, and F7/A which creates a chromatic walk up phrase that leads smoothly into the IV chord in bar 5. We also apply a walk down sequence to chromatically approach the V7 chord and the I chord towards the end of the blues form.
By applying the techniques in this lessons, you’ll notice a significant improvement in your ability to transition seamlessly between the I, IV, and V chords, enhancing your sound when playing the 12 bar blues.
Lesson Downloads
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Leading Tones, Walk-Ups & Walk-Downs File Type: pdf
Related Lessons
The A Section of the tune repeats 3 times and so we can use passing chords to add interest to otherwise identical harmonic passages.
In this lesson Jon shows us some passing chords and substitutions, outlining ways to add some elements of surprise into the 12 bar blues.
In this lesson we broaden the harmony of the 145 progression by introducing alternate chord changes, reharms, and passing chords.
Practice Tips
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Ensure that you have built strong foundation by completing the more basic drills outlined in the previous lessons.
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Start with a slow tempo and slowly increase the tempo. Remember that if we can't play something slowly in control, we can't play it fast and in control!
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Divide the 12-bar structure into smaller sections and work on practicing each part independently. Once comfortable, add everything together.
