We apply inner voice movement over the Imaj7 chord. This is a very useful inner voice to visualise and internalise in all 12 keys.
We explore inner voice movement over major, minor, and dominant chords, and then we will apply this information to a well-known jazz standard.
Learn to target the b9 chord alteration over the V7 with a descending inner voice. We apply to tunes and then drill around all 12 keys.
Explore inner voice movement for major, minor, and dominant chords. We also examine suspended chord to altered dominant movement.
Explore the art of inner voice movement. This session covers techniques to add subtle depth and richness to your chord progressions and arrangements.
We use lots of extended & altered harmony & also some interesting applications of inner voice movement, drop 2 and pentatonic voicings.
We focus on the #5 tension and the variety of ways that this can be applied such as a passing chords, inner voices, and improvised fills.
In this lesson we will learn how to embellish the turnaround sections with extensions, echoing, inner voices, USTs, arpeggios, & Sus chords.
In this workshop we discuss inner voice movement over different chord types and explore how this is applied in piano performance.
The first jazz standard lesson in this course is “Corcovado” written by the great Antonio Carlos Jobim and lyrics by Vinicius de Moraes.
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