James Booker’s Playing Style
In this lesson Jon demystifies James Booker’s eclectic playing style. We discuss Booker’s background and musical education and also the specific techniques and devices that he used when playing solo piano.
James Booker’s Playing Style
James Booker’s musical genius cannot be easily defined, as it encompasses a wide range of styles, blending the disciplined precision of classical training with the spontaneous flair of New Orleans street musicians. This rare combination contributed to his unique sound.
Fats Waller “Until the Real Thing Comes Along
Booker had extremely large hands which allowed him to effortlessly reach 10th intervals that many pianists find challenging. His left-hand 10th voicings combined with his rhythmic right-hand techniques characterise Booker’s unique style. We use Fats Waller’s “Until the Real Thing Comes Along,” to demonstrate how Booker would approach a tune from a left hand standpoint.
James Booker “Pop’s Dilemma”
James Booker’s life experiences, from his upbringing in the vibrant musical culture of New Orleans to his personal struggles with drug addiction, deeply influenced his music.
We finish with a performance of the tune “Pop’s Dilemma” in the style of James Booker.
Related Lessons
Left hand 10th intervals establish a strong foundation of the harmony and free up the right hand for melodic decoration and embellishment.
Learn the unique improvisational techniques of James Booker including single melody line tricks, tremolos, rolls, licks, and turnarounds.
When we play 10th intervals in our left hand it creates a strong foundation which frees up the right hand for melodic decoration.
Practice Tips
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If reaching tenths is physically challenging, work on 'rolling' the notes or using alternative voicing inversions that still capture the essence of Booker's style.
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Check out the related lessons above which offer guidance of using inverted left hand 10th intervals.
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Listen to lots of James Booker recordings and immerse yourself in his discography.
