
Hayden Hill
Hayden founded PianoGroove in 2015 with the goal of making the world a more musical place. He shares his love for jazz piano through his online courses and manages the community area of PianoGroove.
Live Seminar Resources
Live Seminar Resources
PDF Downloads
- I'll Be Home For Christmas - C Major
Join PianoGroove Pro to access all downloads and learning resources.
Download theory supplements, midi files, chord changes and full note-for-note transcriptions of every lesson.
- Have Yourself A Merry Little Christmas
Join PianoGroove Pro to access all downloads and learning resources.
Download theory supplements, midi files, chord changes and full note-for-note transcriptions of every lesson.
- The Christmas Song
Join PianoGroove Pro to access all downloads and learning resources.
Download theory supplements, midi files, chord changes and full note-for-note transcriptions of every lesson.
- I'll Be Home For Christmas - Db Major
Join PianoGroove Pro to access all downloads and learning resources.
Download theory supplements, midi files, chord changes and full note-for-note transcriptions of every lesson.
Related Lessons
Seminar Description
Seminar Description
Creating a Jazzy Christmas Medley
Welcome to this lesson on arranging a jazzy Christmas medley! In this session, we explore three classic holiday songs: "I’ll Be Home for Christmas," "Have Yourself a Merry Little Christmas," and "The Christmas Song."
We will focus on seamless transitions between these tunes using 1-6-2-5 progressions, chordal fills, and melodic embellishments to create a cocktail jazz piano feel. Whether you’re playing at a holiday gathering or just for your own enjoyment, this lesson will provide practical drills and exercises to elevate your arrangements.
Connecting the Christmas Songs with Turnarounds
One of the key techniques in arranging a medley is using a turnaround to smoothly transition from one song to the next. In this lesson, we use a 1-6-2-5 progression in the key of C major:
- Cmaj7 → A7 → D-7 → G7
This turnaround is commonly found in jazz standards and will help create fluid movement between the different songs.
We explore variations of this turnaround, including altered dominant chords, sus chords, and upper-structure triads, to add more color and sophistication to the arrangement.
Chordal Fills & Voicings for a Richer Sound
Chordal fills help to fill the space between melody lines and create a fuller sound. We practice this technique by harmonizing each note of the C major scale with a 1-6-2-5 progression, using different voicing options for each chord:
- Cmaj7: Use C6/9 or Cmaj9 to avoid clashing with the melody.
- A7: Try A7#5#9 for a richer, bluesy sound.
- D-7: Use D-9 or D-11 to highlight the jazz texture.
- G7: Play G13sus before resolving to a standard G7.
This drill helps develop a strong voicing vocabulary, ensuring your playing remains expressive and dynamic.
Melodic Fills & Ornamentation
To add personality and a swinging feel to the medley, we integrate simple melodic fills and motifs, such as:
- Grace Notes & Turns: Enhancing the melody with light ornamentation.
- Chromatic Passing Notes: Adding smooth movement between chords.
- Sixth & Third Intervals: Harmonizing parts of the melody with additional tones for a richer sound.
These elements help create a more engaging and stylistic performance, capturing the essence of jazz improvisation.
Recommended Order for the Medley
To structure the medley effectively, we arrange the songs in the following order:
- "I’ll Be Home for Christmas" – A warm introduction, using a Cmaj7 to Eb°7 substitution to add movement.
- "Have Yourself a Merry Little Christmas" – Built on 1-6-2-5 progressions, making it ideal for smooth transitions.
- "The Christmas Song" – A grand finale, incorporating reharmonizations and extended harmonies for a lush ending.
Each transition is carefully designed to preserve the mood and flow while maintaining harmonic interest.
Practice Tips
- Master the 1-6-2-5 Progression – Practice transitioning between chords smoothly in different voicings.
- Experiment with Chordal Fills – Use spread voicings and altered dominants to enrich your playing.
- Develop a Strong Left-Hand Accompaniment – Use walking bass lines or shell voicings to keep the groove steady.
- Focus on Ornamentation – Add grace notes, chromatic runs, and fills to enhance the melody.
- Listen to Jazz Arrangements – Study recordings of Bill Evans, Oscar Peterson, and Diana Krall to internalize the style.
By the end of this lesson, you will have a polished jazzy Christmas medley with smooth transitions, lush harmonies, and expressive phrasing. Keep practicing these techniques, and enjoy playing these timeless holiday classics!
Hi Hayden.
Loved the lesson. Are there any chapters coming for this.
Thanks in advance.
Karl
Hi Karl 👋
Yes I have just added the final video which includes notation for all of the tunes and also blue highlights. Apologies for the delay – it took a little longer than expected to edit the recording.
I have also added the chapter markings.
Enjoy working on this medley and talk soon!
Cheers,
Hayden
Such a great exercise at the start of this seminar – thank you! I’m barely even interested in the carols…
Consider doing a seminar on just this exercise at the beginning in a few of the common jazz keys – F, Bb, and Eb. Maybe throw G in there just to mix it up. It’s just fun to play around with these.
Hi Marla 👋
I’m glad you like the exercise and yes we can certainly cover this in a few keys – it’s a great suggestion for an upcoming seminar.
The interesting thing when taking this drill into different keys is that we naturally find different voicings that are ’embedded in our muscle memory’ from playing a tune(s) in that key. It’s important to then take these ideas (voicings, melodic ideas etc…) to the other keys which ‘opens up pathways’ that we didn’t visualise before (this happens for me at least). Completing this drill in multiple keys does exactly that which why I think your suggestion is such a great idea for a full seminar.
The keys of F, Eb, Bb, and G are a nice mixture of keys, and also common ones in terms of the jazz standard repertoire, so let’s do those ones.
I’ll start playing around with this and working out the best way to teach/demonstrate the concepts, and then we will get a seminar scheduled for December, or perhaps January at the latest.
Talk soon,
Hayden