Jovino Santos Neto
Three-time Latin Grammy nominee Jovino Santos Neto, a master pianist, composer and arranger, is among the top Brazilian musicians working today.
Live Seminar Resources
Live Seminar Resources
PDF Downloads
- Só Danço Samba Score
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Download theory supplements, midi files, chord changes and full note-for-note transcriptions of every lesson.
- O Grande Amor Score
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Download theory supplements, midi files, chord changes and full note-for-note transcriptions of every lesson.
- Olha Pro Ceu Score
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Download theory supplements, midi files, chord changes and full note-for-note transcriptions of every lesson.
Related Lessons
Forum Threads
Seminar Description
Seminar Description
Explore the harmonies of Antonia Carlos Jobim. One of Brazil’s most respected musicians; in this seminar we will discover some of his must-know compositions.
RicardoBenitez says
Really looking forward to this one. I also wanted to say I really enjoyed seeing Jovino at the Barbican in London in May with Hermeto. Great show and a lovely suprise to see Jovino!
Hayden says
Hi Richard,
I have just finished the light up keyboard, added the notation graphics, and also ensured that the correct enharmonic equivalents are shown.
That’s awesome you saw Jovino & Hermeto live at the Barbican – it must have been a great show!
Cheers,
Hayden
SteveS says
Jovino,
I really enjoyed this lesson. Sorry I couldn’t be here for the live event but wow I love the progressions and the tips given here. Simply amazing to watch you and also also have you explain your thinking of how to apply this to music presentation. Thank you so much for sharing.
Steve
seniortrevorfarrell49 says
Hi Jovino,
my name is Trevor and I watched your recent tutorial on “Bosa Nova Workshop” September 7th 2022.
I old you I was writing a song to be performed in the Samba style. To give me some help, I was studying your tutorial “Antonio Carlos Jobin Workshop”.
I was using the song “So Danco Samba” as a source for the chords.
The question I have to ask, is that since the Part A for “So Danco Samba” is clearly in the key of C, why is there a F7 in the chord progression ? The melody notes playing over the F7 chord are A, so the chord of C6/9 could have been used for 2 chords in a row.
In my song [also in C] I have the move from Cmaj to Fmaj and I am inclined to use Cmaj 6/9 to Fmaj7.
I want to explore all the possibilities.
Thankyou