Funky 8 Bar Blues: The Left Hand
When playing the blues we can use rhythm and syncopation to contrast some of the sweeter and more sophisticated harmonic devices that we are using in the performance.
In this lesson we will explore how the rhythmic approach to playing the 8 bar blues can be used very tastefully. We can play with the rhythm to act as a contrast to some of the sweeter and more sophisticated harmonic devices that we are using.
Left & Right Hand Interplay
For any music that is leaning towards a funk-based style, the gaps and the space that we leave are very important. Rhythmic considerations are very important for students exploring the New Orleans piano style where the left hand and right hand have to work together.
Left Hand Rhythmic Considerations
In the New Orleans piano context the right hand has to leave space for the left hand whilst the left hand is moving, walking the bass line, and adding rhythmic embellishments.
Lesson Downloads
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Chromatic Walking Bass Lines File Type: pdf -
Funky Left Hand Bass Lines File Type: pdf
Related Lessons
Learn a walking bass line practice drill for beginner blues piano players. This walking bass line is perfect to use on the 12 bar blues.
In this lesson Jon shows us some passing chords and substitutions, outlining ways to add some elements of surprise into the 12 bar blues.
In this lesson Jon takes us through some left hand variations on a 12 bar blues including walking bass lines and the New Orleans style tuba bass lines.
Practice Tips
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Experiment with step-wise bass lines that can be used to chromatically connect the chords in the 8 bar blues.
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Practice leaving space with is an important contribution to the overall funky groove of a tune.
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When playing the 8 bar blues, always try to maintain a balance between "tough“ and “sensitive" to create a balanced performance.
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The role of left hand rhythm is useful to offset the sweetness of the right hand voicings and harmony.
